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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Shortbus Critics Consensus The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.

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How did you buy your ticket? View All Photos Movie Info. Sofia Sook-Yin Lee is a couples therapist who is unable to climax despite the ministrations of her loving husband.

All three attend a mixer in which partygoers partake of a sexual banquet. John Cameron Mitchell. Mar 13, Sook-Yin Lee Sofia.

Paul Dawson James. Lindsay Beamish Severin. PJ DeBoy Jamie. Raphael Barker Rob. Peter Stickles Caleb. Jay Brannan Ceth.

Justin Vivian Bond Brothel Madame. John Cameron Mitchell Director. John Cameron Mitchell Writer. John Cameron Mitchell Producer. Howard Gertler Producer.

Tim Perell Producer. Michael J. Werner Executive Producer. Wouter Barendrecht Executive Producer. Frank G. DeMarco Cinematographer.

Brian A. Kates Film Editor. Yo La Tengo Original Music. March 4, Full Review…. November 1, Full Review…. October 28, Full Review…. June 6, Rating: 3.

March 1, Full Review…. August 23, Full Review…. July 11, Full Review…. November 11, Rating: 3. August 28, Full Review….

View All Critic Reviews Feb 02, If this firm didn't have considerable artistic and intellectual merit, it would be porn.

But it does have merit and it has a LOT more to say than prurience or lust. In fact, such sentiments would be missing the point entirely. It's a brave and brash film about sexuality and relationships that makes one wonder -- why hasn't a film like this been made before?

Christian C Super Reviewer. Nov 22, How will I describe Shortbus in one word? It's not that weird, well sure there are some scenes that made me cringe or goes 'who would have thought about that'; but the whole movie feels different.

It's not like the director is an amateur, he knows his stuff, and it's a treat to watch the core reason of why people have sex or look for sex even, in that matter.

The film ends with a song by Justin Bond at Shortbus during the blackout. Sofia arrives and finds Rob with Severin and after acknowledging him sits down by herself.

James and Jamie also arrive followed by Ceth and Caleb. Justin's song starts on a wistful note, but as it progresses it becomes more energetic and positive thanks to the arrival of the Hungry March Band.

This is mirrored in the actions and emotions of the actors. Jamie and James make out on the floor, and Ceth and Caleb start to hit it off. Rob seems to find a friend, and Severin progresses from nervous anxiety to happy elation upon the arrival of the band.

Sofia engages in a threesome with a couple she has seen several times before and who appear to meet her prerequisite of "just beginning to experiment sexually" Nick and Leah, played by Jan Hilmer and Shanti Carson , and finally achieves an orgasm, and the blackout affecting New York ends, as does the film.

The audition website elicited half a million hits and audition tape submissions. Forty people were called in for improv auditions and nine actors were cast, all before there was any story in mind.

The film's characters and story were created collaboratively over 2. Mitchell wrote the screenplay from the raw material generated by the workshops and rehearsals.

In the old days, when you couldn't show sex on film, directors like Hitchcock had metaphors for sex trains going into tunnels, etc. When you can show more realistic sex, the sex itself can be a metaphor for other parts of the character's lives.

The way people express themselves sexually can tell you a lot about who they are. Some people ask me, 'Couldn't you have told the same story without the explicitness?

They don't ask whether I could've done Hedwig without the songs. Why not be allowed to use every paint in the paintbox? As indicated in the DVD special features, Lee and Shanti Carson each suggested they be filmed having real orgasms rather than fake them, specifically for the final scene involving Lee and the orgy sequence involving Carson.

Mitchell also participated in the latter scene, performing oral sex on a woman for the first time "as a gesture of solidarity". The panoramic cityscape interspersed through the film was completely computer-generated and designed by John Bair.

The characters all converge on a weekly underground gathering or salon called Shortbus, inspired by the short yellow school buses for "challenged" students.

Other influences include the Lusty Loft Parties that took place at a Brooklyn art collective called DUMBA where the film's salon was actually shot , and the weekly CineSalon film gathering, both of which were organized, in part, by Stephen Kent Jusick who plays Creamy in the film.

The still-running underground Rubulad party was also an inspiration. Several members of the cast previously worked with Mitchell in Hedwig and the Angry Inch , including:.

There is a plot device involving a vibrating egg with the brand name " In the Realm of the Senses ". This is a wink to the explicit Nagisa Oshima film of the same name in which a man urges his lover to insert a hard-boiled egg in her vagina and "lay it".

Justin Bond's line, "As my dear, departed friend Lotus Weinstock used to say, 'I used to want to change the world.

Now I just want to leave the room with a little dignity'," refers to a stand-up line from real-life comedian Lotus Weinstock, a Los Angeles-based performer.

Mitchell was friendly with Weinstock and her daughter, singer-songwriter Lili Haydn , before Weinstock died in The film playing in the first Shortbus salon scene is, in effect, an elaborate "erotic" joke.

It is entitled "Saverio" and was directed by Mitchell as a tribute to a 70s-era short film Calma. The score song is "Kids" by John LaMonica, which appears on the film soundtrack.

The consensus states: "The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.

Some have branded the film " pornographic ". In response, Mitchell says that the dictionary defines porn as "material created and viewed for the primary purpose of sexual arousal," and argues that the sex in Shortbus is often purposefully "de-eroticized" to "remove the cloud of arousal to reveal emotions and ideas that might have been obscured by it": "Sex, like music, is a universal language.

We want to use it to introduce character, evoke emotion, propel the plot. Due to her participation in several unsimulated sex scenes in the film, Sook-Yin Lee was nearly fired by the Canadian Broadcasting Corporation , for which she hosted the radio program Definitely Not the Opera at the time.

The Korea Media Rating Board banned the film from public screenings in South Korea in for its sex scenes and gay content, although it still screened at film festivals not subject to the Board's authority.

Sponge ENT, the film's South Korean distributor, filed suit and in , the Supreme Court of South Korea ordered the ban lifted, declaring the national film censorship law unconstitutional for its ambiguity.

From Wikipedia, the free encyclopedia.

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